Category Archives: fairytale art

John Bauer, Swedish 1882-1918: Fifty more fairytale images added

John Bauer, Lucia, design for stamp

Design for stamp by John Bauer, Swedish, 1882-1918.

The artpassions blog is back!  New announcements will be made here and on our  Facebook page.

I’ve added more than 50 new John Bauer images to the Bauer Art Passions page, making just over 100 Bauer images scanned and posted –The new images come mostly from Bland Tomtar Och Troll, but also the cover of Till Sagolandet (which needed much repair!), and some later paintings and even a design for a stamp. (via John Bauer Art: Trolls, Fairy Tales and Folk Tales – Swedish (1882 – 1918))

Coming soon:  Gone are the Sun, Moon and Stars : Edward Burne-Jones’ Days of Creation Angels (a history and meditation)

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Fairies Prefer to Fly

Peter Pan in Kensington Gardens: Fallen Leaf, Arthur Rackham.

"There is almost nothing that has such a keen sense of fun as a fallen leaf" from Peter Pan in Kensington Gardens: Fallen Leaf, Arthur Rackham.

We were reviewing the various Arthur Rackham resources in our library (we like to call it that despite its disorganized state) in search of a particular image. The various fairies looked up over the pages to see if they could help. This being winter (and there had been snow), we were surprised that there were still leaves that could be blown.

Exquisite Fairy Dancing by Arthur Rackham

"Exquisite Fairy Dancing " from Peter Pan in Kensington Gardens: Arthur Rackham.

But fairies are nothing if not resourceful and prefer flight to other means of transportation even when they are feeling “dancey.”

A Fairy, Arthur Rackham

A Fairy, Arthur Rackham

At any rate, all the music, dancing and urging towards flight forced us to find the best means of keeping them from causing mayhem or tying up the cats! So we thought that postcards would be a good means of getting the fairies involved in better things than this usual mischief.

Puck and a Fairy (from A Midsummer Night's Dream) by Arthur Rackham

If you need fairies to help you send messages to fellow mortals via postcards, you will find them here.

Image sources: Arthur Rackham

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Fairy Tales and Fashion: The Princess Wore Prada

Cinderella's Slippers, Aubrey Beardsley

Cinderella's Slippers by Aubrey Beardsley

It’s high time we took on the important matter of fashion in fairy tales. What these various princes and princessses, evil queens, stepmothers, stepsisters, huntsmen and orphaned children (not to mention transformed amphibians), wore in the course of stories is too often glossed over by historians. When we read the stories with a mind towards faerie-couture, we are disappointed in most cases, except for one – Charles Perrault. More specifically, we shall consider just how important fashion was considered in one particular story of his: Cendrillon ou la petite pantoufle de verre, or as we know it better in English: Cinderella or The Glass Slipper.


Having served in various official duties in the government of Louis XIV, Perrault often drew inspiration from actual events and persons of the court, and he certainly would have been familiar with the ever-changing fashion trends of that brilliant court. More interestingly, the manners of Cinderella’s stepmother showed an interest in the social aspirations of the bourgeoisie. It seems to be an eternal truth that conforming to fashion made it possible for those with ambition to gain access to the high and powerful:

It happened that the king’s son gave a ball, and invited all persons of fashion to it. Our young misses were also invited, for they cut a very grand figure among those of quality.


And as a fairy story about high fashion, Perrault treats us to descriptions of the stepsisters’ plans for the ball:

“For my part,” said the eldest, “I will wear my red velvet suit with French trimming.”

“And I,” said the youngest, “shall have my usual petticoat; but then, to make amends for that, I will put on my gold-flowered cloak, and my diamond stomacher, which is far from being the most ordinary one in the world.”

We also hear about a strategy familiar among today’s young ladies with aspirations to stylishness:

They were so excited that they hadn’t eaten a thing for almost two days. Then they broke more than a dozen laces trying to have themselves laced up tightly enough to give them a fine slender shape.

Perrault the moralist was certainly citing such a trend among the fashionable of all ages, something Cinderella herself did not have to resort to since:

However, Cinderella, notwithstanding her coarse apparel, was a hundred times more beautiful than her sisters, although they were always dressed very richly.

Cinderella by Arthur Rackham.

Cinderella by Arthur Rackham.

Luckily, unlike her sisters who had to depend on what they had already possesed in their wardrobes, our heroine had more expert assistance:

Her godmother then touched her with her wand, and, at the same instant, her clothes turned into cloth of gold and silver, all beset with jewels. This done, she gave her a pair of glass slippers, the prettiest in the whole world.

Cinderella - by Edmund Dulac

Cinderella by Edmund Dulac

A bit of magic always helps when desiring to capture a prince’s attention I suppose, but Perrault, as always, was trying to make a point:

Young women, in the winning of a heart, graciousness is more important than a beautiful hairdo. It is a true gift of the fairies. Without it nothing is possible; with it, one can do anything.

To which he added:

…it is a great advantage to have intelligence, courage, good breeding, and common sense… However, even these may fail to bring you success, without the blessing of a godfather or a godmother.

Present day fashion designers might think it odd being referred to as modern day fairy godmothers, but as long as we are expressing timeless truths, let’s close by quoting famous Vogue editor Diana Vreeland:

I loathe narcissism, but I approve of vanity.

Cinderella by Maxfield Parrish

Cinderella by Maxfield Parrish

Image Credits:
Cinderella Art Prints
Images of Fashion from the Court of Louis XIV

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Did The Princess and the Frog Really Kiss?

"A voice asked what was the matter - it was a frog" by  Anne Anderson

"A voice asked what was the matter - it was a frog" by Anne Anderson

The trailer for Walt Disney’s “The Princess and the Frog” (to be released in December amid mounting hoopla, including made up controversy over the fact that everyone in the film is black except for the Prince) makes a major story element out of a universaly enjoyed activity.

“Everyone thinks they know the story of the Princess and the Frog but no one knows what happened after the kiss, until now. This holiday season comes the story of the most magical kiss the world has ever known.”

"The king's daughter was overjoyed when she beheld her pretty plaything again, picked up, and ran away with it." Illustration for The Frog Prince by Warwick Goble

"The king's daughter was overjoyed when she beheld her pretty plaything again, picked up, and ran away with it." Illustration for The Frog Prince by Warwick Goble

Well maybe not quite since the original Grimm’s tale did not actually include any kissing, although it did include the frog being thrown against the wall by the Princess upon which he turned instantly into a Prince. This solved her dilemma between having to obey her father the king and being repeatedly grossed out by a gallant (and somewhat stalkerish) amphibian whom she had to allow to drink out of her cup, eat off her plate and be carried by her to her bedroom.

"She dined with the frog prince at her side" by Anne Anderson

"She dined with the frog prince at her side" by Anne Anderson

So what’s with the kissing and where did this originate? The story of a girl having to keep her promise to care for a frog appears in several versions other than the well known (non-kissing) Grimms’ tale.

“The Well of the World’s End” which appeared in Joseph Jacob’s “English Fairy Tales” (1890) features, rather than a kiss after the same manner of indignities suffered upon our mortified heroine, the frog asks the girl to chop its head off thus ending the enchantment transforming him into a prince.

"Enchanted Prince" by Maxfield Parrish

"Enchanted Prince" by Maxfield Parrish

Other variants, most notably the one from Italo Calvino’s “Italian Folk Tales” (1956), have a frog princess who must prove her abilities at various domestic duties thus proving her suitability for an amphibiophobic prince, therefore simultaneously ending the enchantment while reinforcing gender role stereotypes.

In a more modern variant from her poetry collection “Transformations,” Anne Sexton adheres closely to the Grimms’ version:

She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.

Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.

No kissing involved there either. And in another famous story where kissing was alleged to take place, in the Grimms’ “Snow White” the Prince also does not kiss the Princess but rather the apple bit fell out of her mouth when the carriage carrying her glass coffin was jostled. The only one of their famous fairy tales where a kiss becomes a plot element is in Sleeping Beauty wherein I might add, that the kiss did not in fact break the spell because the prince just happened to come by on the day the hundred years’ spell was up.

"The Frog Bride"  by Kay Nielsen, from Grimm's Fairy Tales

"The Frog Bride" by Kay Nielsen, from Grimm's Fairy Tales

Kissing seems to have been a recent innovation, one often assumed by tradition rather than explicitly told in the collections. But that is the nature of folk tales, and since the idea of a prince and a princess kissing is satisfying to any audience, we may as well accept the fact that this oral (so to speak) tradition is here to stay.

Image credits:  Anne Anderson, Maxfield Parrish, Kay Nielsen, Warwick Goble


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Maxfield Parrish : Puss in Boots

Artsy Craftsy: Added Stars and Puss in Boots.

Puss in Boots, Maxfield Parrish

Puss in Boots

Art Passions: Parrish gallery is undergoing a reorganization that will make things easier to find. All of the Arabian Nights are up!

Stars, Maxfield Parrish


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Anne Anderson

Anne Anderson now at Art Passions

The Frog Prince Gold from Straw Rapunzel

The Anne Anderson fairy tale art gallery is up, with images from Old, Old Fairy Tales, Grimms and Hans Christian Andersen’s Fairy Tales, The Wonder Book, Heidi, Aladdin, and more on the way. Anne Anderson Prints, and eventually tile if there is an interest, will be available at Artsy Craftsy.

Old Woman in the Woods The Seven Crows Snow White

Maxfield Parrish Arabian Nights

A selection of Maxfield Parrish illustrations to Arabian Nights will be coming soon to Artsy Craftsy. The entire collection will be added to the Parrish gallery page at Art Passions.

Have a great week!


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Anne Anderson Fairy Tales

We are working on a set of Anne Anderson illustrations from Grimms Fairy Tales and the Hans Christian Andersen Fairy Tales.  We will have web version of all of these available on the new Anne Anderson page at Art Passions (nothing there just yet) and the Anne Anderson prints at Artsy Craftsy.

You can download several of Anne Anderson’s black and white PDFs on Art Passions — The coloring pages are not too difficult and should work well for elementary school children. They will print on standard US letter-size or European A4 paper. Images are from The Snow Queen, The Frog Prince and others.

Anne Anderson : Rumplestiltskin

Anne Anderson : Rumplestiltskin

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